Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Eastman Johnson 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
39074 A Ride for Liberty Eastman Johnson A Ride for Liberty mk140 circa 1862 Oil on board 55.8x66.4cm
71843 A Ride for Liberty -- The Fugitive Slaves Eastman Johnson A Ride for Liberty -- The Fugitive Slaves between 1860(1860) and 1864(1864) Oil on paper board 55.8 x 66.4 cm (21.97 x 26.14 in)
49324 A Ride for Liberty-The Fugitive Slaves Eastman Johnson A Ride for Liberty-The Fugitive Slaves mk195 1862 Oil on board 22x26
45369 Das Ahornzucker-Larger Eastman Johnson Das Ahornzucker-Larger mk181 um 1865-73 Ol auf Holz 25.7x57.4cm
45370 Das Leben im Suden Eastman Johnson Das Leben im Suden mk181 1859 Ol auf Leinwand 91x119cm
45375 Das Madchen,das ich Zurucklieb Eastman Johnson Das Madchen,das ich Zurucklieb mk181 vor 1875 Ol auf Leinwand 106.7x88.7cm
45372 Die Familie Brown Eastman Johnson Die Familie Brown mk181 1869 Ol auf Papier auf Leinwand aufgezogen 59x72cm
84305 Fiddling His Way Eastman Johnson Fiddling His Way Oil on canvas - 24.35 x 36.25 in - 1866 - Scanned from Eastman Johnson: Painting America - fig 78 pg 149 cyf
73114 Fugitive Slaves Eastman Johnson Fugitive Slaves Date between 1860(1860) and 1864(1864) Medium Oil on paper board Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in) cyf
84237 Fugitive Slaves Eastman Johnson Fugitive Slaves Oil on paperboard - 22 x 26.25 in - c 1862 cyf
31695 La famille Hatch Eastman Johnson La famille Hatch mk75 1871 Huile sur toile:122x186.4cm
50525 Negro life at the South Eastman Johnson Negro life at the South mk212 Oil on canvas 36x45in
80212 Negro Life at the South Eastman Johnson Negro Life at the South Negro Life at the South - Oil on canvas - 36 x 45.25 in Date 1859(1859) cjr
39080 Not at Home Eastman Johnson Not at Home mk140 circa 1873 Oil on canvas 67.1x56.7cm
80485 Ojibwe Wigwam at Grand Portage Eastman Johnson Ojibwe Wigwam at Grand Portage Ojibwe Wigwam at Grand Portage - Oil on canvas 10.25 x 15.2 - 1857 - Scanned from cjr
84752 Ojibwe Wigwam at Grand Portage Eastman Johnson Ojibwe Wigwam at Grand Portage Oil on canvas 10.25 x 15.2 - 1857 - Scanned from cyf
74812 Sugar Camp Eastman Johnson Sugar Camp English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. Date circa 1861-1866 cyf
33016 The Boy Lincoln Eastman Johnson The Boy Lincoln nn08 1868
39282 The Converstaion Eastman Johnson The Converstaion mk146 1879 Oil on canvas
4219 The Cranberry Harvest on the Island of Nantucket Eastman Johnson The Cranberry Harvest on the Island of Nantucket 1880 Timken Art Gallery, San Diego
31954 THe Cranberry Harvest,Island of Nantucket Eastman Johnson THe Cranberry Harvest,Island of Nantucket mk77 1880 Oil on canvas 27 3/8x54 1/2in
94068 The Girl I left behind me Eastman Johnson The Girl I left behind me 1875(1875) Medium English: Oil on Canvas Dimensions 106,7 x 88,7 cm cjr
38681 The Hatch Family Eastman Johnson The Hatch Family mk139 Oil on canvas 1871
49313 The Letter Home Eastman Johnson The Letter Home mk195 1867 Oil on composition board 23x27 Musuem of Fine art
84353 The Lord is my Shepard Eastman Johnson The Lord is my Shepard Oil on wood -16.625 x 13.125 in - c 1863 cyf
38357 The Lord Is My Shepherd Eastman Johnson The Lord Is My Shepherd mk136 Oil on canvas about 1863
4218 The Old Stagecoach Eastman Johnson The Old Stagecoach 1871 Milwaukee Art Museum
49363 The Pension Agent Eastman Johnson The Pension Agent mk195 1867 Oil on canvas 25x37
72992 The Sugar Camp Eastman Johnson The Sugar Camp "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. cjr
80275 Union Soldiers Accepting a Drink Eastman Johnson Union Soldiers Accepting a Drink Union Soldiers Accepting a Drink - Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139 cjr
84518 Union Soldiers Accepting a Drink Eastman Johnson Union Soldiers Accepting a Drink Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139 cyf

Eastman Johnson
1824-1906 Jonathan Eastman Johnson Galleries Eastman Johnson (July 29, 1824 - April 5, 1906) was an American painter, and Co-Founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. Best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people, he also painted portraits of prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow. His later works often show the influence of the 17th century Dutch masters whom he studied while living in The Hague, and he was even known as The American Rembrandt in his day. Johnson's style is largely realistic in both subject matter and in execution. His original photorealistic charcoal sketches were not strongly influenced by period artists, but are informed more by his lithography training. Later works show influence by the 17th century Dutch and Flemish masters, and also by Jean François Millet. Echoes of Millet's The Gleaners can be seen in Johnson's The Cranberry Harvest, Island of Nantucket although the emotional tone of the work is far different. His careful portrayal of individuals rather than stereotypes enhances the realism of his paintings. Ojibwe artist Carl Gawboy notes that the faces in the 1857 portraits of Ojibwe people by Johnson are recognizable in people in the Ojibwe community today. Some of his paintings such as Ojibwe Wigwam at Grand Portage display near photorealism long before the photorealism movement but in keeping with the American tradition of realism that can be seen in the works of Charles Willson Peale whose painting The Stairway Group is said to have fooled George Washington. His careful attention to light sources contributes to the realism. Portraits Girl and Pets and The Boy Lincoln make use of single light sources in a manner that echoes the 17th Century Dutch Masters.
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